Already I have a major change — Got a great title suggestion from chaptermate Elizabeth Grayson. Silk and Seduction is going to morph into The Dragon and the Pearl. Isn’t that snazzy? I’m very bad with title-fu so I’m sending cyber-kisses out to Elizabeth. *mwah* *mwah* I just lucked out with “Butterfly Swords”.
I finally got up the courage to open up Little Sis’ package with my manuscript for “D and P” inside. All in all, she was a lot harder on Butterfly first time around, so I’m feeling a little better. Sure she envisions rewriting everything after the midpoint on. *sigh* Got work to do.
It got me to thinking. Even though I don’t plan on putting in all the fixes she suggests verbatim, they’re each telling me something is missing there — whether it be conflict or characterization. Sometimes it’s a huge structural change, like I know I need some sort of milestone that the heroine and hero both achieve together in Chapters 12-14. It’s absent now. And some are 1-2 lines here and there, like evolving the relationship with each chapter.
That’s how I take all critiques. On the first level, the issue is “this is not working” and then the specific details give me clues about what might work. But even if I don’t agree with the clues, it doesn’t take away the fact that something needs to change. I think writers often stop listening when they don’t like the suggested tweaks.
Even though I rely heavily on Little Sis and other readers, in the end the revision comes down to very personal decisions. I’m reminded of a Tyson Beckford quote from Bravo’s “Make me a Supermodel”. (I confess, I watch trashy reality tv.)
Paraphrased, like all my quotes:
“A good model does what the cameraman wants them to do. A supermodel gives him something he didn’t even know he wanted.”