Unusual Settings in Romance

4245636_blogI’m totally thrilled that I’ve been invited to join the Unusual Historicals blog! I love how they concentrate on a theme per month like “Food” and you can go to learn just a fascinating array of information from different cultures and time periods. With history (and I suspect most things), the more you learn outside of your sphere of expertise, the more cross-connections you can make, and the richer your experience becomes. I suppose that way of thinking may come from my cognitive science background.

Since the Golden Heart® award ceremony so many authors have contacted me to tell me how inspirational it is to see an unusual setting break into the historical romance market. This is premature. I mean, the book isn’t even near the shelf yet! But people have told me about their struggles writing in WWII or Italy or 17th century France.

Wow! I never thought so many people would connect to my writing adventures. Who would have thought that a western setting, something that would seem familiar to readers, could also be such a difficult sale? Apparently, many people feel that if you’re not writing a Western or a Regency, you might as well be writing in, say, medieval China!

I’m still scared to death.

There I said it. I feel like I’m fighting to stay alive now with every word because there’s so many more unknowns. I’ve heard “no market”, “risky”, “too difficult” so many times  in this journey.  But I hope that in this case, “No market” could possibly mean, “Untapped market.”

Fingers crossed.

Crashing after conference

Little Sis just bought her house and is now going through the cycle of painting, carpeting and cleaning. She called me because she was feeling a little bit hum-drum and didn’t know why. Well, she actually did know why because we always have theories for everything. I suppose that’s why we write.

She likened it to how you always get depressed after finishing a big project. The house is finally hers, now what?

I know these things about me. I knew there would be a post-conference crash. I used up all the adrenaline stores by not sleeping, gushing over seeing and meeting so many people, and crying in the bathroom every morning because I couldn’t believe everything that was happening.

I’m finally writing again. I have no room for excuses. Little Sis says the revised 15 chapters of The Dragon and the Pearl are better, but she won’t start doing line edits until I send her the whole thing. Probably she’ll be reading it between fixing the house and settling in. What a slave driver. Love her.

Oh yeah, karma moment! I got to meet Hilary Sares who sat in front of me at the RITA/GH® awards ceremony. She was there for my chapter-mate Kimberly Killion, who was up for a Rita award. I thanked her in person for placing Silk and Seduction (aka The Dragon and the Pearl) first in the Gateway contest and requesting the full. I never got to send it to her, but it was the first time my writing got any notice from an agent or editor. And the manuscript was so very rough back then. If that’s not motivation to get these revisions done, what is?