Deadlines

I have set a revision schedule that has me polishing up The Dragon and the Pearl by the end of July. I don’t write clean and do a lot of work “post-op” in revisions, so two months seems pretty aggressive to me. Especially when national conference is right smack in the middle of that. This is when I’ll layer in extra sexual tension and character development, strengthen my mushy middle, and let the major themes emerge.

It makes me think of what happens when you’re actually published. I’ve heard of published authors who were asked to write whole novels in six months. Could I do that if asked? I don’t know!

So there is a blessing to being unpublished. I can write this story and just worry about my craft for a while.

Asian cinema doesn't believe in happy endings

My sister suggested I watch “Lust, Caution” directed by Ang Lee while she was reading my manuscript. She said there were some similar themes in the movie to my story. I finished watching it two nights ago and still find myself thinking about it. The movie was a period piece set in Shanghai during World War II. Extremely emotional and, of course, very depressing.

When was the last Asian film you saw with a happy ending? Other than Jackie Chan? We seem to love the desperate and tragic twists to life. Everyone suffers and everyone dies.

Don’t get me wrong. It really was a beautiful movie. Gorgeous. Moving. The type of story that makes we want to write something with the same emotional depth, but just give it some hope and happiness at the end.