Countdown to RWA 2011

I’ve been so busy, I haven’t even had time to wax sentimental this time around. Oh time, he waits for no one.

I’m coming off of a workshop and impromptu book signing this week and running headlong into last minute preparations for RWA. This year will be my first signing at the annual RWA literacy autographing and I’m definitely excited about it. There are 500 authors signing so I’m sure it will be fabulous. Hopefully a few people will come by to see me and say hello.

I’ve also designed a new series of RTCs for THE DRAGON AND THE PEARL for RWA and Dragon*Con:

 

I am SO in love with the new cover as well as the cards. *googly eyes* The images on the back sides are used with permission from www.chineseclothingonline.com in return for the free advertising so if you’re dying to get your own suit of ancient Chinese armor or a beautiful flowing hanfu, check them out. I’ve ordered two outfits from them and they’re absolutely gorgeous.

I’ll be giving details on how to get these cards in my newsletter coming out this Wednesday in case you’re not going to either conference. If you are going to RWA, keep an eye out in the goody room or you can also look for me Tuesday night at the signing.

Reference Pictures for Cover Art

I’ve learned that while you’re promoting a new book, you pretty much become your cover. It’s your calling card. The funny thing is people very often ask me if I posed for the cover of Butterfly Swords. (No, I didn’t) I’m tickled pink by even the thought that I could be a cover model.

As authors, we don’t get much control over our cover art, yet the cover can make or break the book. I do, however, get to send reference pictures to give the art department perhaps a little inspiration as they design the cover. None of the pictures I use for inspiration look exactly like my characters or setting. I use them for a certain feel. Somewhere in between, an image emerges.

I suppose the art department does much the same thing. This morning I sent along pics for The Dragon and the Pearl and I’m totally jittery nervous about what they’ll come up with.

I always felt this picture by DeviantArtist feimo captured the attitude of Li Tao, though he’s much younger and prettier than the cold-blooded warlord. I wish the print were for sale.

The power play between the jiedushi, the military governors, are central to the book. I sent a couple of pictures to highlight the look and feel of the warlords.

An artist’s rendition of Cao Cao from The Romance of the Three Kingdoms

Ah, Tony…from the movie poster of Red Cliff. I still need to see the uncut version…

We talk about setting as character in writing, but more needs to be said about clothing as character. Suyin’s wardrobe is practically a secondary character in The Dragon and the Pearl. The Tang Dynasty is all about the fashion: gorgeous clothing, creative hair styles, accessories, accessories, accessories. In the context of those times, Ling Suyin would have been considered a super-model.

I’m now a junkie of the Chinese Clothing online store. I’m actually thinking of buying this blue dress to celebrate the manuscript being accepted and, you know, just wearing it around the house.

And speaking of setting as character, the famous Bamboo Sea is where it all takes place. I dream of going there one day. It’s too bad hubby doesn’t like to travel or eat exotic foods. He does like pandas, I believe.

So can you see a killer cover out of all that?