The Power of Post-Its

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SEP

4

2009

6:07 am

post-its_manuscriptTo get ready for today’s Write-a-thon, I went out and spent about seven dollars on Post-Its. They’re expensive! There’s little colored flags and tiny fluorescent Post-Its for mini notes.

Why do I do this? Because I think that using this special method will somehow, inexplicably make this final revision process fly smoothly. There are some changes that need to be threaded through from start to finish. So I’m going to assign a color to it and mark up all the pages.

I’ve never actually done this before. Anna DeStefano suggested this in a workshop at RWA and her process is very close to my process: Fast Draft the “ugly draft”, fix global/structural issues, then line edit. She’s just way more organized — and way more successful. :)

Another part of it is magic. Yes. Magic. I think feeling I have a special trick calms me down. I know it’s all psych0logical. Every big endeavor needs a special mind trick and this time, it’s Post-Its.

There are so many colors. So pretty!

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Sleeping on it

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JUL

6

2009

9:11 am

I’m slogging through the hardest part of revision right now; the mushy middle. If I can tighten it and build the tension, the reward is that the ending will write itself. If I can’t, the book falls apart and there’s nothing I can do.

I wanted to revise six chapters this weekend because I’m endlessly optimistic that this time, it’ll all flow and it’ll all come easy. No, not so much. I ended up with only three chapters. Every day, I spend the day reading and revising the chapter. It’s a lot more than just line edits. A lot of the times the revisions are raising the stakes and completely changing the scenes so they’re not so “stagnant”. That’s the story killer for me — stagnant. That comment from a CP means I must change these pages or it’s a dead duck.

For the last three days, I’ve gone to bed with one chapter revised, mulled over the end with my head on my pillow, and thought about what still needed to be fixed. Then, with no computer or e-mail in front of me and nothing left to do in the day but try to sleep, I could finally fantasize about my characters. And it’s worked! Last night was the biggest breakthrough yet — my hero’s character arc was stagnant.

The process is painfully slow, but I can see the light at the end of the tunnel.

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Deadlines

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JUN

21

2009

8:31 am

I have set a revision schedule that has me polishing up The Dragon and the Pearl by the end of July. I don’t write clean and do a lot of work “post-op” in revisions, so two months seems pretty aggressive to me. Especially when national conference is right smack in the middle of that. This is when I’ll layer in extra sexual tension and character development, strengthen my mushy middle, and let the major themes emerge.

It makes me think of what happens when you’re actually published. I’ve heard of published authors who were asked to write whole novels in six months. Could I do that if asked? I don’t know!

So there is a blessing to being unpublished. I can write this story and just worry about my craft for a while.

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First Draft for Human Consumption

Filed in: craft | friends and family | writing    Tags: | | |

MAY

27

2009

8:09 am

Ooh, I noticed a lot of people visiting yesterday, but only a few comments on my interview with Jennifer Haymore. Don’t be shy! The drawing is this Friday for an autographed copy of A Hint of Wicked, her NY debut. Go here to comment.

I’m supposed to finish my first human consumable draft of Silk and Seduction today and print it out to mail to Little Sis. “Human consumable” means it’s barely fit to be read and I’ve taken out the <put argument scene here> type notes. From my experience, I know that it’s corny and repetitive and there’s just big gaps that don’t work right now, but no one but Little Sis can fix it!

I don’t know what I’d do without her. It takes a special talent to critique an entire manuscript for structure and flow and proper build-up. I’d pay her if she wasn’t family — I suppose I’ll pay her by organizing her bridal shower. :)

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