Valentine’s Day Release: Captive Bride by Bonnie Dee

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FEB

13

2011

6:42 pm

San Francisco, 1870

Huiann arrives in America expecting to be wed to a wealthy businessman. She no sooner disembarks from the ship than she realizes Xie is not looking for a bride: Huiann is worth more to him as a high-end prostitute. Though her fate is better than that of other Chinese women forced into the sex trade, she has no intention of waiting for Xie to sell her virginity to the highest bidder. At the first opportunity, she escapes and disappears into the city.

When a beautiful woman takes refuge in his store, Alan’s life changes forever. He’s spent the last five years trying to forget the horrors of war, and had almost given up hope of finding love. He hires Huiann as his housekeeper, and though they can only communicate through signs and sketches, they quickly form a bond that transcends the need for words.

But Xie is determined to recover his property, and love may not be enough to protect Huiann from his vengeance.

75,600 words
Buy at: Amazon | Carina | Books on Board | All Romance E-books | Nook

I was excited to see a new historical romance featuring a Chinese heroine so I pushed it right up to the top of my TBR pile. It’s release date is February 14 (today) so I haven’t had a chance to read it yet, but I’ve already pre-ordered it for my Kindle. I’ve read other stories by Bonnie Dee so I’m looking forward to a well-written tale.

Bonnie was nice enough to answer a few questions about the story to whet your appetite. I think you can see from the interview how much thought went into this story and I can’t wait for Whispernet to deliver it into my Kindle!

***

Jeannie: We all hear how Asian characters and interracial relationships are a  hard sell. Can you describe the publication journey for Captive Bride?
Bonnie: I jotted down the idea for Captive Bride about five years ago but didn’t pursue the story right away since I had other projects to work on. After I finally opened the file and dove in, I couldn’t stop writing. When the manuscript was finished, I sent it to agents and publishers. After waiting eons for responses, I heard from Harlequin Historicals. They loved the premise but wanted some deep changes in order for Chinese Bride, as it was called then, to fit into the Historicals line. The primary one—which changed everything—was that Huiann should come into the relationship able to speak English. They didn’t think readers would buy a couple who could barely communicate falling in love. I made the requested changes and sent it back. Ultimately, as much as the HQ editor loved the story, she decided it wasn’t really a good fit for their category romance line. I changed the story back to my original vision in which language was a huge hurdle for the couple and sent the manuscript to my Carina Press editor. Carina accepted the story for publication and after doing some more in-depth work under the excellent guidance of my editor, Deb Nemeth, the manuscript was finally finished.

Jeannie: What drew you to this setting and these characters?
Bonnie: The story idea came to me one night on a vacation as I lay in bed in a cabin in the woods listening to night noises and telling myself a story to get back to sleep. Many of my story ideas hatch during that time between wakefulness and sleep when the subconscious is uppermost. At the time I was reading a contemporary romance called The Dowry Bride about an Indian woman who escapes a loveless, dangerous marriage and falls in love with someone else. It wasn’t cross-cultural since her lover was also Indian, but I think that may have been the germ that sparked my story. I’ve always been a huge fan of lovers crossing socio-economic barriers (Cinderella much?). Cultural barriers are another big chasm and one that can be used in modern as well as historical romances.

The character of Huiann came first. It’s her story. She’s probably the more vivid of the two characters. At first the hero was merely a foil for her, but then Alan took on a personality beyond “rescuer” as I embroidered him a tragic back story and his own demons to overcome.

Side note: After I was finished with my manuscript, I saw a movie called Thousand Pieces of Gold and while I loved it, I was upset to see a lot of my ideas in the story (Including the hero having suffered through Andersonville. What are the odds?) So I want to state that I invented my facts all on my own and to recommend putting this great movie in your Netflix queue. You can also see it on Youtube if you don’t mind watching in pieces.

Jeannie: Describe some of your research for the book. Can you give us one fascinating tidbit of trivia you found out?
Bonnie: Wikipedia is my friend, and the internet in general. There was a site at which I picked names for the Chinese characters and learned their meanings. I looked up information about the steamship routes between China and San Francisco during the time period and other info about the layout of steamships. I read about San Franciscan history and particularly the history of the Chinese in San Francisco. I looked up facts about Andersonville prison where Alan spent most of his time during the Civil War. I found a site with Chinese proverbs Huiann’s Grandma Mei could spout, but I invented the folk tales Huiann uses throughout the book to illustrate points.

Interesting fact: Chinese dragons represent the male principle and the phoenix, fenghuang, represents the female principle as well as virtue and grace. I was playing with that symbolism in the book and made a reference to the phoenix rising from the ashes. But when I read more carefully, I learned that’s a Western vision of the phoenix. The Chinese version has nothing to do with that image of resurrection so I had to strike that part. (Jeannie: Good catch! Yes, Chinese dragons and phoenixes have quite a different connotation than western ones.)

Jeannie: I’ve noticed a theme of communication barriers in your books. In A Hearing Heart, your hero is deaf and mute and In Jungle Heat, your M/M retelling of the Tarzan tale, has two protagonists who have to learn how to communicate with one another. In Captive Bride, once again you have a language and cultural barrier between your hero and heroine. What about this setup intrigues you and what were some of the challenges you faced while writing the communication in the story?
Bonnie: In the romance world, there are a lot of stories centered on soul mates. In real life, I think it’s foolish to imagine there’s only One True Love for every person. Come on. It’s a huge world and there are hundreds of people you could have a perfectly acceptable and adequate lifelong relationship with. But when it comes to reading about romance, there’s something deeply satisfying about the idea of looking into a person’s eyes and feeling like they “get you” on a fundamental level. I suppose everyone’s searching for that sense of deep connection.

When I watch movies or shows, I love how the actors communicate so much beyond the lines they’re given. To me, eyes are the sexiest body part. I love to read (or write) about a couple that feels an instant attraction then struggles to find words to communicate their thoughts and feelings and to learn more about each other. Nothing’s more interesting to me than that journey.

Jeannie: Finally, you have so many stories in so many different genres. How do you decide what to work on next? What’s your next release after Captive Bride
Bonnie: As ideas come to me, I jot them down and put them in the Ideas folder. When I have time, I get back to them, pick an idea that inspires me and work on it. I would warn new writers that writing in multiple genres is probably not the best way to go. People like to know what to expect from an author—thus the term “author branding”. I’d probably be a lot farther along in my career if I’d decided to be one thing and then stuck to it. Also, people love a series so it’s really great if you can create one world readers can visit again and again, peopled by interconnected characters.

Unfortunately, even when I try to write a sequel, it doesn’t really work out. After the success of my zombie novel, After the End, some readers were asking for a sequel. Instead of giving them what they wanted—more about the characters in the first book and what happened to them after escaping Manhattan—I found myself writing an entirely new cast and location. The only connection is that it’s set in the same apocalyptic future. Also, Dead Country is written in first person which some people hate. Why did I shoot myself in the foot when I had the opportunity to capitalize on a good thing and keep moving forward with that? I guess I just get bored easily. When something is over, it’s over and I want to move on to a new project, not revisit the same place and people.

My next release on March 1 is Vampires’ Consort from Samhain. It’s a continuation of my Magical Menage series. And here’s another example of a series that isn’t really a series except that Vampires’ Consort a paranormal ménage like its predecessor Shifters’ Captive. We’ll see if people like it anyway.

The next thing I want to do is a Young Adult series about teen girls who get involved in witchcraft and how they learn life lessons through the use or misuse of this magic. If and when I finish that, you won’t see it under the Bonnie Dee pseudonym as it probably wouldn’t be appropriate to expose teens to some of the adult stuff I’ve written.

Thanks for inviting me to chat, Jeannie. I hope people will love Captive Bride as much as I do. Some of my works I reread and think they’re just okay or even ho-hum, but others like this one, I love because it’s the kind of book I would choose to read as a reader.

Jeannie: Thank you Bonnie! Wow, what versatility. I’m glad your imagination wandered over to San Francisco and the Chinese immigrant culture there. Congratulations on the release and I’m really looking forward to reading Captive Bride.

Find out more about Bonnie Dee at : http://www.bonniedee.com

Captive Bride releases February 14, 2011 from Carina Press. Buy at: Amazon | Carina | Books on Board | All Romance E-books | Nook

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Interview at Romance Writers on the Journey

Filed in: Announcements | book reviews | friends and family | interviews | The Bookshelf | writing    Tags: | | | | | | |

SEP

3

2009

6:00 am

keligwyn-square

Keli hosts the "Romance Writers on the Journey" blog

My interview is featured today on Keli Gwyn’s “Romance Writers on the Journey” blog. The blog features unpublished and debut authors on the road to publication. I like to read the blog for inspiration and Keli caught me when I was hanging around to find out more about some of my fellow Ruby Slippered sisters from the Golden Heart® 09 tour.

I think she does a fabulous job researching these interviews. It’s all the dirty details on my contest warpath and the  roller coaster I’ve been on since March. (Never before revealed online…shhh!!!) To put things into perspective, when I volunteered to do the interview in June, I had received the GH@ nomination and was thinking the Call would never come.

Hop on over and take a look.

http://romancewritersonthejourney.wordpress.com/2009/09/02/meet-debut-author-jeannie-lin/

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Interview: The writing adventures of Inez Kelley

Filed in: interviews | new releases | The Bookshelf | writing    Tags: | | | |

JUL

7

2009

4:59 am

jinxed-300-smallWhat better day could there be than lucky 7/7 for an interview with Inez Kelley, author of the recent Samhain release, JINXED? Inez is not only a friend, but also an inspiration to me as a writer, so I was quite excited when she agreed to do an interview here. I’ve watched her work unfold in numerous online chat sessions, so it’s quite a treat to see them released to the world.

As you can see from the interview, her voice and personality radiates in everything she does. Welcome Inez!

Jeannie: Congratulations on your first release! Tell us about a little about JINXED and how you came up with the idea.

Inez: I have no earthly idea. I don’t. I wish I did. I remember sitting down to write, as I did eons ago, on my bed with a notebook and a pencil and thinking “I wonder what would happen if the hero and the heroine had the same name?” After that, it is pretty much a blur.

JINXED was my training ground, my learner’s permit about the ins and outs of writing from someone other than myself. I learned a lot in those pages. How to take critism and praise, how to listen to advice without getting all huffy, how to see where the flaws in my own style were, etc.

I see stories in movie form. They come full color with the plot, ending, etc already included. I don’t create characters so much as give them voice. I didn’t intend Steve to be bi-sexual, he just was. Tracey was a trip to write and she was herself, unapologetically snarky and funky. Frannie got on my nerves with her whining at times but that is her. Human beings are true to themselves and my characters are the same way, imperfect.

JINXED was my first ‘can I do this for real’ story and wow, I could and there is not stopping me now.

Jeannie: You write across so many genres. What determines what you’re going to write next? What are the great challenges as you switch from one genre to another?

Inez: The story screaming loudest in my head gets written next. I have one tale I have been tossing around for years. It will get written some day. But when a story screams, I have to write it. I consumes me every minute I am not writing it.

I am currently writing a YA. That is a challenge, not so much the actually story line but making sure I stay in a teen voice but don’t talk down. I hated being talked down to as a teen. I am not a teenager but I was once. I remember a lot about those emotions and I hope I can get those across without sounding like some old fart writing about her youth.

So yeah, I write across genres and am venturing into non-romance land. Why not? I read other stuff so when those stories pop into my head, I am not going to turn my back on them.

As for the greatest challenge…wow, I guess that would be atmosphere. For example, I wrote a contemporary that is very tense, emotional and somewhat dark. It has a scene where the heroine is drunk. I rewrote that scene like three times because I kept sliding into humor. It fit, it was funny but it wasn’t the right feel. The story needed more pain, more heartbreak at that point, not a laugh.

With my next book, Myla by Moonlight, I channeled all the humor to a secondary character Bryton. Not consciously, he just became my comedic mouthpiece for that story, it is part of who he is. He is a bodyguard, willing to die for his Prince without second thought. Because of that, he is very irreverent. He also is the Prince’s best friend, knows how heavy the crown can be and takes it upon himself to lighten that load by making Prince Taric smile. He does a good job. I like him.

One I get a few pages into a story, the tone is set and I can usually maintain the atmosphere but occasionally, like that drunk scene, I have to step back and remind myself that the story has the map and decides where to go, I am just the vessel of delivery.

Jeannie: Do you feel there’s such a thing as your true “voice”? And how would you describe it?

Inez: I don’t know. My boss read JINXED and then called to tell me she could “hear” me in the story. That surprised me.

If I had to describe my voice, I think it is slighty lyrical no matter what genre I write in. The play of words against each other I love and use without thinking about it. To me, words have to sing without music.

So many people have read my stories and tried to describe my voice to me. They are all different. I can’t describe my own voice except slightly purple, with a hint of poetry and a dash of pain. My husband says I like to rip your heart out, salt it then force feed it to you while laughing but I think he exaggerates. A little.
Jeannie: Best advice you’ve received so far?

Inez: Write what moves you and ignore the trends, the submission calls etc. Just because I can write it doesn’t mean I should write it.

I love vampire stories but have never written one. I have no vamp tales to tell. I hear voices like real whispers, those are the stories I have to tell. So what if everyone is clamoring for a m/m erotica and I know I could write one or there is a call for a detective romance. If I don’t ‘feel’ the story, it is like pulling teeth. Instead, if I let my stories come, they nearly write themselves. Then I am happiest and I think my love of them comes through. If MY passion can come through, then the reader can feel it and that is what I want.

Jeannie: We all have slumps, but you seem to be able to crank it out non-stop. What keeps you going? What do you think is your biggest challenge?

Inez: Oh, I have slumps, trust me. I just can’t be idle with them. I gave up writing for a while, a few years actually. Life was just too hectic and I channeled my energy into just living. I was afraid I had lost that drive to create for a long time, was afraid to try again. So now, when the slumps hit, that fear returns.

So during slump times, I edit, dabble with short stories, read for friends, crit other writers, pound out a few pages of a story I have no plans to finish with any deadline in mind. I play until the burning story hits again, then I write like a demon.

My biggest challenge is overwriting. I have to pare back because I get too detailed, to involved in the minute crap– like what the character had for breakfast, down to the fact that he didn’t like butter on his toast, just jam and then only strawberry. Yeah. Too. Much.

Jeannie: Something a little fun. What’s one of your guilty pleasures, writing or non-writing related?

Inez: I love to bake. I like cooking something completely off the wall for a redneck writer slash mother slash wife. Like I make French Onion soup from scratch or Dutch Apple Pie(which I don’t even like but my family does). I make a kick ass five cheese lasagna with homemade sauce too.

Jeannie: What’s in the future for Inez Kelley?

Inez: In September, I have my fantasy romance titled MYLA BY MOONLIGHT coming out with Samhain publishing. I just finished a contemporary novella and am working on another romcom for that publisher too. My agent has a few stories aimed at NY and print publishing and my fingers are crossed there too.

In a nut shell, what does my future hold? More. More stories, more laughs, more tears. More. And then even more.

I hope to be standing in line one day to get one of Inez’s books autographed by the lady herself. :) You can find out more about Inez at her website. http://inezkelley.com/. Her recent debut, JINXED is available from Samhain and watch out for MYLA BY MOONLIGHT in September. I hear there’s a killer promo trailer for that one. :)

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Interview with Author Jennifer Haymore

Filed in: interviews | new releases | The Bookshelf | writing    Tags: | | | | |

MAY

26

2009

5:00 am

ahow-cover-smallI only write up book reviews here for books I love and it was easy to gush about A Hint of Wicked by Jennifer Haymore. She agreed to let me pick her brain, being a fellow historical romance author.

In celebration of Jennifer’s NY debut release today, I am giving away a free autographed copy of the book. I’ve never done a giveaway before on this blog, so I’m quite excited.

So enjoy and leave a comment for a chance to win.

Me: As a historical author, what are your sources of inspiration?

Jennifer Haymore: History, mainly. History is oftentimes stranger, wilder, and more intense than fiction, and it completely fascinates me. I love all times periods, all countries, all cultures, and all the wild and crazy thinks human beings have done for love through the ages.

I also have a long (and kind of eclectic) list of historical authors I find inspiring: Diana Gabaldon, Sharon Kay Penman, Anya Seton, Wilbur Smith, Colleen McCullough, Loretta Chase, Julie Garwood, Elizabeth Hoyt, and Laura Kinsale, to name a few.

Me: How did you come up with the storyline for “A Hint of Wicked”?

JH: The core idea for A Hint of Wicked was my husband’s—I use him as a sounding board and a brainstorming partner all the time. The story, however, has developed quite a bit from his original “vision,” which was of an enraged husband catching his mourning wife in bed with another man. I latched on to that scenario and ran with it…but I don’t think I ran in the same direction he envisioned for the story! I guess that’s my prerogative as the writer <grin>.

Me: Do you feel the Regency period lent itself to the conflict?

JH: Honestly, I feel like the essence of this conflict could have occurred in any period, but yes–the laws and morals regarding marriage in the English Regency were so strict and narrow, I believe they added to the intensity and depth of the conflict in A Hint of Wicked.

Me: Without revealing too much — what kind of challenges did you face when figuring out how to untangle this love triangle believably?

JH: Ooh, that’s a great question. One thing I knew when I started the story was that I didn’t want to make the heroine’s decision an easy one. I wanted her to be truly torn between the two loves of her life. What I didn’t know was who she would ultimately choose or what would drive that decision.

I went in circles debating the resolution. I argued with myself. With my husband. I talked to my critique partners. I discussed it with my editor and my agent. I pulled out clumps of my hair! Who would it be? Tristan? Garrett? Both?!

Thinking back on all of that now after having written this book as well as the second book in the series, all the angst I had over the ending seems so odd. After the fact, the heroine’s final decision is so clearly the correct choice, it’s difficult to think there was ever a question. There is no doubt in my mind that Sophie did ultimately end up choosing the right man.

Me: Were there any “Ah ha” moments while you were writing this book that you can share?

JH: As I was near the end of writing A Hint of Wicked it struck me like a lightning bolt who the heroine in book two, A Touch of Scandal, must be (yes, she appears briefly in AHOW!). It was a perfect “ah ha!” moment.

Me: Finally, for self-serving purposes, please tell us more about “A Touch of Scandal”. Tease us!

JH: It’s hard to talk about A Touch of Scandal without revealing spoilers for A Hint of Wicked! But I will say that it’s the story of the “losing” man from A Hint of Wicked. Most of the characters from the first book make an appearance, including the villain, and Rebecca, Garrett’s younger sister, plays a big part in the story’s conflict. The third book in the series (currently untitled, but I’m mulling over A Taste of Desire at the moment) is Rebecca’s story.

Me: The winner will be drawn this Friday, but if you can’t wait, order your copy here or check the shelves at your local bookstore. And don’t you dare peek at the ending!

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