In search of dragons…

Filed in: Asian fantasy | blog | essay    Tags: | |

MAY

8

2011

8:51 am

I attended the kick-off of the Diversity in YA tour this Saturday. Diversity in YA is the brain-child of two talented YA authors, Cindy Pon and Malinda Lo, and is a celebration of the portrayal of diverse cultures in young adult fiction. This Saturday’s event was focused on Asian American authors (Malinda Lo, Cindy Pon, Gene Luen Yang, and J.A. Yang), though the entire tour features books from a wider range of ethnicities and cultures.  I’ll post a write-up of the topics discussed in the panel, but to start things off, one question from the audience made me reflect upon my early reading habits.

The question was regarding what each of the authors read growing up and almost every single author, with the exception of Gene, spoke about not reading any book with Asian characters. Cindy Pon mentioned that she was writing the books with the adventures she never got to read. Malindo Lo remarked that a teacher passed her Maxine Hong Kingston’s Warrior Woman and she wasn’t able to connect with the book at all! J.A. expressed that he similarly didn’t read books with Asian characters growing up because he liked books with warriors and protagonists that were quite different from him. Only Gene, with his background of comic book reading and early childhood growing up in Asia (I forget where, sorry Gene), had a wide range of Asian stories available.

This made me realize that I have always been in search of dragons. I would literally, look for covers with Asian looking art or titles that sounded Asian. Perhaps this is why I ended up reading so much fantasy because the dragons I usually found were from those books.

I don’t know if it was necessarily because I wanted protagonists that I could identify with. I felt I identified with all the Caucasian protagonists I was reading just fine. I shared their adventures and felt all their angst. Reading about Japan or China (never Vietnam unless it was about the War!) felt like reading about a foreign and exotic place for me too, so it was as more my desire for vicarious exploration and adventure than my need to read about characters with similar backgrounds as me.

When I read Amy Tan’s Joy Luck Club, I was very deeply moved. I mean, yes, they were deeply emotional stories, but they struck a chord with me, not only because they expressed some very core elements of being Asian American that I hadn’t seen in writing in this way before, but because I knew that other people were reading it too. Non-Asians were reading it. My high school friends were reading it.

Crouching Tiger, Hidden Dragon gets knocked by a lot of wuxia purists because they say it’s a poor example of the genre. That it was watered-down for mainstream audiences. I don’t agree at all. And when I saw the trailer for that movie, I became so incredibly excited and showed it to everyone. It was a wuxia film like the ones I grew up with, but it was being shown to mainstream audiences. It was the absolute joy that something I loved could finally be shared with other people who had never seen a Jin Yong film. And it could be shared in a way that I couldn’t explain with words.

So I’ve always been in search of dragons, but not only for myself. Not to find Asian heroines that look like me, but to find something that could be shown to people who don’t look like me. Who have no idea about the stories that I enjoyed.

I remember Taye Diggs once corrected a reporter who called one of his films a “Black film”. He said it’s not a Black film, it’s a film with Black actors. And people didn’t seem to understand what the big deal is. I believe Enrique Iglesias has made similar comments about his music not being Latino music, but music with Latino influence. They’re not rejecting their own race or getting nitpicky — I get it now.

Media is about connecting to a wider audience. It’s about reaching out to people who have never been somewhere, experienced something, thought of life in this particular way. When a work becomes marginalized as an Asian work for Asian people, it feels to the artist that they’re being dragged two steps back from their real goal.

So, I’m rather tickled pink that after searching for “Dragon” books for so long, I have my own Dragon title coming out in September: The Dragon and the Pearl. Ha, ha — stereotypical Asian title. Whatever. I’m so proud that maybe someone in search of dragons will find my book and be pleased that it’s not about Western fantasy dragons or Vlad Tepes or European warriors. I do hope that Asian women will read the story and identify and fall in love with the romance, but I’m also hoping many of those people searching don’t look a thing like me, or come from a similar place that I do, at all. And I hope they’ll identify just as much with the characters.

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Guest blog: Paperback Dolls – Passport China

Filed in: Asian fantasy | blog | giveaway | guest blogs    Tags: | | |

APR

29

2011

8:39 am

The Paperback Dolls blog asked me to do a guest post for their Passport China feature. I love the look of their blog, especially the manga-esque avatars they have for each of their members.

Click on over to hear more the special version of Old China where my stories take place: Once Upon a Time in China

Also giving away a copy of BUTTERFLY SWORDS and talking a little bit about the sequel, THE DRAGON AND THE PEARL, which is out September 20, 2011.

 

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Victoria Janssen: Researching Asian Pirates

Filed in: Asian fantasy | blog | research    Tags: | | |

DEC

13

2010

12:01 am

Today I’ve invited Victoria Janssen, fellow historical romance author, to come and discuss some of her research for the new release, The Duke and the Pirate Queen. What’s so fascinating about the book is that the heroine is a lady pirate from a fictional Asian empire.

Victoria’s blog is an interesting source of historical research, writing craft, and how to blend the two. If you like this post here, then definitely pay her a visit and check out her books.

I thought today’s post was very fascinating. Not only because it sent me off on my own excursion looking up pirate info, but because there’s been many a time I’ve had to decide to leave historical research on the cutting room floor so it’s interesting to see another author’s thought process.

Welcome Victoria!

***

This is the story of how I did NOT use a great deal of my research.

When I began writing The Duke and the Pirate Queen I knew that the heroine, Captain Imena Leung, was of mixed race; her mother from a fictional empire analogous to China, and her father from somewhere else. I never did decide exactly where he came from, as he has only a small role in the novel; I suspect he’s from somewhere in this world’s equivalent to the Southern Pacific islands. I did know, however, that I wanted Imena to have fought pirates. And I wanted her ship to be attacked by pirates in the novel.

I began to research Asian pirates. I can’t recommend this book enough: Pirate of the Far East: 811-1639, for a concise yet detailed overview of that period, which includes not only details of pirate clothing, weapons, and tactics but fits those details into the appropriate geographic and political settings. I also read various accounts (in English) of Chinese pirates who encountered Westerners, and some further academic essays on how accurate those translations and compilations might be from an Asian perspective.

After all that, I had more than enough information to write about Asian pirates. However, I realized, too late, that I needed Imena to be surprised. I needed her to come up against something new to her that would throw her off-balance; since I’d already established she’d worked as a privateer for the Horizon Empire (the China analogue), she would already be familiar with the varieties of Asian pirates, and they would not incite much fear in her. I was, to use a nautical phrase, hoist on my own petard.

There was the added complication that, much as I enjoyed my reading about Asian pirates, when the majority of readers saw the word “pirate,” they would envision Pirates of the Caribbean. If I had the whole novel to set up my Asian pirates, I might have managed it; but I was focusing on the love story, which takes place mainly aboard ship, so the lovers are isolated from the rest of the world. By the time I realized the way I should have arranged the plot to use more of the research, I was too far into the novel to change it, and still make my deadline.

I finally decided to (mostly) use pirates that would bring to mind classic Hollywood movies, while adding just a few fantastical touches to make them fit better into the novel’s fantasy world. I used as much of my research as I could without letting my worldbuilding take over the romance.

So I didn’t get to use most of my research, but I was left with a thirst for further knowledge and a scarily long reading list. This will probably be my next read, if I can obtain a copy: Pirates, Prostitutes and Pullers: Explorations in the Ethno- and Social History of Southeast Asia. Hey, there’s always a future novel that needs researching!

General blurb:

The Duke and the Pirate Queen is set in the same world as The Duchess, Her Maid, The Groom & Their Lover and features characters who appeared in that novel, Duke Maxime and Captain Imena Leung. Captain Leung is forced to abduct Duke Maxime, who is her employer, to thwart an assassination plot against him. He wants her. She wants him. Unfortunately, issues of birth, rank, and their own pasts are in conflict with their desires. And then there are the pirates, the storm, the hostile islanders…not to mention the sharks.

Excerpt:

“Sir. Pirates, sir. Closing fast. Roxanne recognized the rigging on their mainsail. They’re from the Inland Sea, she says. To the north of the Horizon Empire.”

“Bloody flux in a hurricane.” Imena yanked a tunic over her singlet and belted on her cutlass. “Your Grace, you’d better go below. No, go with Norris. Into the cubby, Norris.”

“Sir,” Norris said.

“No,” Maxime said.

“Yes,” Imena said.

“Pirates aren’t after me in particular,” he said.

“You’re a valuable hostage, and you’re wasting my time,” she said.

“They won’t have any idea who I am. I might be able to help.”

And if pirates overran the ship, she wouldn’t want him to be trapped and helpless. She had a moment’s vision of finding his corpse, mangled and leaking blood onto the deck. Imena threw up her hands. “Fine. Don’t cry to me when they slice your ballocks off and wear them for earrings. Norris, get him a cutlass. And some clothes.”

“No pistols?” he asked as they hurried on deck.

“One shot and you’re left with a short club. No, thank you,” she said. “Stay behind me.”

“What if it comes to a fight?”

“Stay behind me,” she reiterated, though she wasn’t sure what she would do if he refused. She wouldn’t order the crew to subdue him unless his life was in immediate danger.

On deck, the crew were being issued weapons. Chetri stood near the prow, feet braced wide, a cutlass on either hip. Imena followed the direction of his gaze and had no trouble seeing not one, but two ships approaching rapidly, hull-up. He said, his voice eerily calm, “They came out of the sun. We were lucky Kiesha and Ailf had decided to seek a little privacy in the upper nest.”

Imena calculated rapidly in her head, changed a few variables, and calculated again. “It’s too late to run,” she said, regretfully. “Chetri? Am I wrong?”

He shook his head. “The wind is their friend today.”

Roxanne slid down the rigging and trotted over. “Oars, captain,” she said. She took a stone from her pocket and began sharpening the tip of her hook. “They keep oarsmen down below, so there’s no chance of being becalmed. Most carry cannon.”

Despite her years of privateering, Imena had never encountered the pirates of the Inland Sea; only once had she heard of them encroaching on the empire’s sea lanes, and the single ship had been quickly routed by the navy. The tales she’d heard about the Inland Pirates had made her glad of her escape, but now she wished she’d had some direct experience of them.

“I’ve fought them,” Chetri said. “I was a boy, but I remember it well.”

“Weaknesses?” Imena asked.

Chetri shook his head, his earrings chiming. “That would depend on the captain. Some are no worse than we might be. Some drink all sorts of potions before they go into battle, so they feel nothing and fear no one. The maddest of them build an immunity to certain poisons, so they may hold poisoned mastic in their mouths and thus spit poison at their enemies.”

Imena said, “We’ll expect the worst. Chetri, you’ll take the offensive fighters, but hold them unless you see an advantage in attack. Roxanne, you’ll command defense.”

#

Incidentally, here’s a YouTube video of Japanese traditional tattooing.

Here’s how I used that in the story:

On the second morning, in a temporary lull in the work on the ship, Seretse set a blanket on the beach. Next to it, he laid out his tattooing tools, wooden handles with clusters of needles at one end. He’d recruited Annja to keep water boiling over a small fire, to supply him with a stream of clean cloths, which he used throughout the process to wipe blood and excess ink from his client’s skin. Annja would also clean the needled tools of blood after they were used. Maxime thus had an excellent excuse to wander over and chat with her. He wasn’t the only one who found the prospect of watching Seretse pound colored ink into people’s skins fascinating.

Most of the time was spent on Kuan, whose back was already covered with outlines of fish; Seretse was coloring in a section of the outlines with soft, steady strokes.

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Reference Pictures for Cover Art

Filed in: Asian fantasy | blog | cool finds | publishing    Tags: | | | |

NOV

22

2010

11:09 am

I’ve learned that while you’re promoting a new book, you pretty much become your cover. It’s your calling card. The funny thing is people very often ask me if I posed for the cover of Butterfly Swords. (No, I didn’t) I’m tickled pink by even the thought that I could be a cover model.

As authors, we don’t get much control over our cover art, yet the cover can make or break the book. I do, however, get to send reference pictures to give the art department perhaps a little inspiration as they design the cover. None of the pictures I use for inspiration look exactly like my characters or setting. I use them for a certain feel. Somewhere in between, an image emerges.

I suppose the art department does much the same thing. This morning I sent along pics for The Dragon and the Pearl and I’m totally jittery nervous about what they’ll come up with.

I always felt this picture by DeviantArtist feimo captured the attitude of Li Tao, though he’s much younger and prettier than the cold-blooded warlord. I wish the print were for sale.

The power play between the jiedushi, the military governors, are central to the book. I sent a couple of pictures to highlight the look and feel of the warlords.

An artist’s rendition of Cao Cao from The Romance of the Three Kingdoms

Ah, Tony…from the movie poster of Red Cliff. I still need to see the uncut version…

We talk about setting as character in writing, but more needs to be said about clothing as character. Suyin’s wardrobe is practically a secondary character in The Dragon and the Pearl. The Tang Dynasty is all about the fashion: gorgeous clothing, creative hair styles, accessories, accessories, accessories. In the context of those times, Ling Suyin would have been considered a super-model.

I’m now a junkie of the Chinese Clothing online store. I’m actually thinking of buying this blue dress to celebrate the manuscript being accepted and, you know, just wearing it around the house.

And speaking of setting as character, the famous Bamboo Sea is where it all takes place. I dream of going there one day. It’s too bad hubby doesn’t like to travel or eat exotic foods. He does like pandas, I believe.

So can you see a killer cover out of all that?

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Butterfly Swords Release Day

Filed in: Announcements | Asian fantasy | blog | event | new releases    Tags: | | |

SEP

30

2010

10:27 pm

Blog tour: Celebrate release day over at the Ruby-Slippered Sisterhood as fellow sister Shea Berkley hits me with the tough questions.

***

When I was in ninth grade, my English teacher, Phyllis Molloff, had us write these time capsule letters to ourselves which she returned at the end of our senior year. In it, we wrote what we wanted to accomplish by senior year, but we also wrote about our dreams for the future. To remind ourselves.

I remember writing that I wanted to publish one book in my lifetime. One book on the shelves in bookstores.

I didn’t know anything about publishing or writing careers. I didn’t know that most writers wrote many, many books, one after another. Writing one book seemed like a nearly insurmountable goal to me. But it was a dream so I wrote it down.

And now it’s here.

To everyone who has supported Butterfly Swords: Thank you. Thank you so very much. I never imagined this little book would get so much attention.

I’m hitting the friendly skies today to head to my first book signing at the Emerald City Writer’s Conference. So I invite you into the secret dungeon of my office for this video:

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First Celebration Giveaway This Week!

Filed in: Announcements | Asian fantasy | blog | giveaway | warrior women month    Tags: | | | | | |

SEP

12

2010

9:20 pm

Warrior Women Month: Come back Tuesday for an interview with Luci Romberg: stuntwoman, freerunner and American Ninja Warrior.

Blog Tour: My Book Addiction has an interview up where I talk about my thoughts regarding negative reviews. Also blogging at Novel Thoughts on Monday about the Not-So-Happy endings in Asian romance.

***

The Taming of Mei Lin has been out for two weeks and has received some nice reader and reviewer responses. It makes me very happy to be giving away the first celebration giveaway this Wednesday, September 15. Three individual names will be drawn to win one of three lovely prizes.

Blog, tweet, and/or sign-up for the newsletter to join the celebration! Enter more times for more chances to win and your name stays in all the way until the Grand Prize drawings. Details here.

First name drawn wins:

A GORGEOUS hardcover copy of Cindy Pon’s debut novel, Silver Phoenix. I was so excited about her release earlier this year. I went from store to store searching for it and I LOVE the original cover so much that I bought an extra copy so someone can enjoy it as well.

Her heroine is named Ai Ling while mine is Ai Li. Complete coincidence, but they’re both young women coming into their own and embarking on a grand adventure. Read Silver Phoenix first so you’ll be ready for the sequel, Fury of the Phoenix in April 2011!  Cindy also has a wonderful blog filled with Chinese brush painting and lots of good food.

Second name drawn wins:

An autographed advance copy of Stephanie Draven’s debut from Harlequin Nocturne, Poisoned Kisses. I’ve read Draven’s shorter works for Nocturne Bites: Midnight Bound and Wild, Tethered, Bound. I was blown away by her fresh take on Greek mythology in a contemporary paranormal story. First of all, she tackles the best creatures from Greek myth: the monsters! And they’re not villains, they’re her protagonists.

I’m sure her debut will have the mesmerizing prose and creative storytelling I’ve come to expect from her stories. Plus the blurb just sings with tension and conflict. Check out Stephanie’s website and see.

Third name drawn wins:

A free download from eHarlequin for The Taming of Mei Lin. Now the cool thing about this is it’s a download code. If you already have a copy of Mei Lin, you can give this to a friend as a gift.

Get the word out to enter! Winners will be drawn Wednesday night at 8pm Central Time.

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New Release Monday: The Taming of Mei Lin

Filed in: Asian fantasy | blog | excerpts | new releases    Tags: | |

SEP

5

2010

10:50 pm

Warrior Women month:

Check back in tomorrow for an introduction to Wing Chun and the butterfly sword form. On Wednesday, I’ll be posting an interview with kung fu instructor Mandy Sayah. Hope to see you back here!

Guest blog: Author Q&A now through Sunday at Unusual Historicals. One commenter will be chosen to receive a free download of The Taming of Mei Lin from e-Harlequin.

***

Excerpt Monday Logo

New Release Monday is a spinoff of Excerpt Monday, started by Bria Quinlan and Alexia Reed. If you’d like to join up for next month, take a look at the main site: The Excerpt Monday blog.

Welcome to New Release Monday! This is a happy day for me since The Taming of Mei Lin was first unveiled while still a work-in-progress during Excerpt Monday. “Mei Lin” is the prequel to Butterfly Swords which debuts in print on October 1.

The Taming of Mei Lin is available now. Enjoy the excerpt and if you’d like to read more, it’s available from eHarlequin, Amazon, Barnes & Noble, and the Sony eStore.
——————————–
Faced with a proposal from a man she despises, impetuous Mei Lin makes a daring declaration: she will only marry the man who can defeat her in a sword fight. She has bested everyone who has so far tried to teach her a lesson…until a handsome stranger comes to her village. In captivating swordsman Shen Leung , Mei Lin finally sees a man she wants to marry. A man she’s willing to surrender to in every way….

***
Chapter 1

Tang Dynasty China, 710 A.D.

Mei Lin could feel the strands of hair slipping from her knot, tickling against her neck. Uncle made her stand outside during the hottest part of the afternoon, even when there were no customers. She wiped her brow and looked over at Chang’s tofu stand at the end of the street with envy. He at least had the shade of a tree to duck under.

If she planted a seed today, she reckoned she’d still be here selling noodles by the time the tree grew tall enough to provide shelter. And Uncle would still be growing fat, napping in the shade.

A tingle of awareness pricked against her neck. Out of the corner of her eye, she could see someone had stopped just beyond the line of the wooden benches. The stranger wore a gray robe, but that was the only thing plain about him. He had the high cheekbones of the people of the north and stood with his shoulders back, lean and tall. Unfortunately the town riffraff stood just behind him, grinning and poking at each other over some boyish joke only they found humorous. Mei Lin ignored them as she always did.

“Little Cho.”

The boy came eagerly running at her call. Her little cousin was not yet corrupted by his father’s laziness.

“Fetch the tea,” she said and he went running to the stove.

She turned back to the intriguing man. He remained at the perimeter watching her. He had a pleasant expression and seemed particularly still, as if supremely comfortable in this heat and in this world. She stood there with sweat pouring down her back wishing her hair wouldn’t keep falling over her face like it did. It was so rare that strangers came to their village.

He bowed. “Wu Mei Lin,” he greeted formally.

Even rarer that strangers came who knew her name. The smile she was about to give him faded into a frown.

“Little Cho.”

He had just returned with the teapot.

She blew a strand of hair away from her face impatiently. “Fetch my swords.”

The boy scrambled away, nearly tripping over his feet in his excitement. She turned back to the stranger.

“This is why you came, isn’t it?”

“When I learned of Lady Wu’s skill, I couldn’t help but come to pay my respects.”

He insisted on using her family name in an overly polite fashion. The onlookers chortled. The hated Chen Wang was at the head of the pack. Wang tended to stay away from her after she’d given him a black eye that lasted for a week, but he couldn’t resist the show.

“Well, then. Let’s get started,” she said.

Little Cho returned and handed over her short swords. She fixed her gaze onto the man before her. He had his weapons strapped to his side. She’d missed it in her initial fascination.

“I don’t mean to presume,” he began. “If the lady would like time to prepare—”

“There’s no better time. Besides, the rabble will be expecting a performance.”

She scowled at Wang and his lot as she brushed past. It kept her from having to look at him. Why did he have to be so tall and his manners so impeccable? And why was she so taken with this swordsman when it was obvious he was here to humiliate her, just like all the others?

“Little Cho, watch the shop,” she called over her shoulder.

“But, Mei Lin!”

She ignored the boy’s protest and kept walking. He shouldn’t be watching street fights at his age, impressionable as he was. Uncle and Auntie Yin had enough to complain about without her being a bad influence on her little cousin.

The swordsman caught up with her easily, keeping an arm’s length between them while they walked together down the dusty street. There was none of the posturing and swagger she’d come to expect from Zhou’s lackeys. From outward appearances, they could have been joining one another for an afternoon stroll.

“Those are exquisite.”

He was talking about the swords. Twin blades; short, light and quick. Many called them butterfly swords, but there was nothing delicate about them. They were ideal weapons for a woman fighting a larger opponent. Heaven forbid he’d look at her with the same interest.

She sniffed, but a thread of doubt worked loose inside her. He was the first to be interested in her skill rather than the novelty of this odd girl who dared to challenge men.

“You don’t seem like one of Zhou’s thugs,” she said.

“Who is Zhou?”

He sounded earnest; she wanted to believe that he wasn’t just another bragging oaf, here to put this stubborn woman in her place. She stole another glance at him. His black hair was pulled back and tied, highlighting his distinct features.

And he was handsome. She might as well admit it. Looking at him left her with the disturbing sense that she had lost something; something she desperately needed to find.

“You are not what I expected from what they told me.”

He was looking at her face now. A rush of heat flooded her cheeks.

“What did they say?”

“That you were the meanest shrew in the empire.”

He smiled as he said it. His brown eyes were a shade lighter than what was common in this region. It reminded her of the golden wash of the sun over the mountains.

She knew then what she couldn’t find: her usual confidence that the fight was already won.

They reached the center of town where the main roads met at the market square. If Zhou didn’t send this swordsman, then he must have come on his own to challenge her. It had been two months since Zhou made his outrageous proposal, which she had countered with an even more outrageous declaration.

Zhou was a lesser magistrate of the district. He had proposed marriage after catching a glimpse of her at the noodle stand while he was passing through. Uncle and Auntie Yin had been thrilled that someone wanted to take her off their hands, but Zhou already had a wife. Two wives, in fact! She would be little more than a bed warmer and glorified kitchen maid.

She had announced publicly she would marry no man unless he defeated her in a fight. Her uncle and aunt were mortified, but she wouldn’t back down. Her parents had been poor, but proud people. It would offend their spirits to see their only daughter become some lecherous goat’s mistress.

Zhou dismissed her challenge as the ramblings of a madwoman. She doubted he could lift a sword, but his henchmen continued to bully her whenever they came by. Over the last few weeks, several strangers had wandered into town to goad her into a fight. She suspected they had all been sent by the disgruntled official.

She’d defeated all the country thugs and village boys who’d tried to teach her a lesson. But this swordsman was different. If Zhou hadn’t sent him, then he must have come on his own. Could news of her declaration have traveled beyond the dusty edge of town?

She turned to him. “Do you still want to do this, considering what a shrew I am?”

That half smile again. “I am not afraid.”

More townsfolk had gathered to see crazy Mei Lin and another one of her displays of rebelliousness. There was a moment of sadness when she squared off across from him. She’d become a spectacle. The only marriage proposals she ever received were these stupid challenges from scoundrels trying to show her up. One of these days, some brute would defeat her. Someone a hundred times worse than Zhou. She’d done this to herself.

“What shall the terms be?” he asked as he paced to the other side of the square.

Still so composed, his every movement measured and graceful. She should have been paying attention to how he moved, not how captivating his eyes were.

“We’re simple folk here. First blood should be good enough.”

She raised her swords while her opponent drew his weapon. The blade gleamed in the afternoon sun, the craftsmanship obvious to even an untrained eye. Even if she discounted the quality of the blade, she knew immediately this man was serious. There was a way a sword fits into the hands of a true practitioner, as if it were an extension of his body.

“You’re not even going to ask my name,” he said.

“Why bother? You’ll run from here in shame very soon.”

“Wu Mei Lin, the honor would be all mine.”

The way he spoke her name sent a shudder down her spine, despite the heat of the afternoon. Certainly he had come to see her out of curiosity, but could it be he was actually interested? He watched her so intently and his pleasant manners gave the impression he was actually enjoying the exchange. She wished they didn’t have this duel between them to confuse her.

He bowed, blade pointed downward, very formal. Like this was a sacred ritual instead of a street brawl. She looked down at her swords and for a moment they felt strange in her hands, as if she didn’t practice every morning and night with them.

Master always said she wouldn’t know her limit until someone pushed her to it.

“Now?” the swordsman asked from afar.

She tossed her hair out of her face. “Now.”

Copyright © 2010 by Harlequin Enterprises Limited

Copyright © 2010 by Jeannie Lin

Permissions to reproduce text granted by Harlequin Books S.A. Cover art used by arrangement with Harlequin Enterprises Limited. All rights reserved. ® and ™ are trademarks of Harlequin Enterprises Limited and/or its affiliated companies, used under license.

***

New Release Links TBD

5 Comments

Giveaway winner

Filed in: Announcements | Asian fantasy | blog    Tags: | | |

AUG

21

2010

6:19 am

Thank you to all that subscribed to the newsletter!

In the wide, open landscape that is the internet, it’s hard to know who you’re broadcasting to. I like to connect with people on a more intimate level if possible. Though an e-mail is hardly the most personal of measures, this newsletter update is the best way for me to stay in touch with readers and I’ll continue to offer promotions that are exclusive to newsletter subscribers. Hopefully, if fortune favors it, I’ll be able to meet some of you in the future.

Of all the people near and far who let me know that they “Can’t Wait” for Butterfly Swords, one won’t have to wait too much longer:

Congratulations Christine Alba! I’ll be putting your autographed copy of Butterfly Swords in the mail today.

Remember that the Launch Celebration begins on September 1, 2010 with the release of “The Taming of Mei Lin” a digital short story from Harlequin Historical Undone. I’ll also be starting a “Warrior Women Month” feature on the blog with interviews and features celebration the strong women that inspire me.

Tell everyone you know. The more the merrier. :)

2 Comments

The Cover for The Taming of Mei Lin

Filed in: Asian fantasy | blog | covers    Tags: | | | | | | |

JUL

13

2010

4:43 am

The Taming of Mei Lin - SEP 2010 undone-lowres

The cover for THE TAMING OF MEI LIN (excerpt), my September Undone release is here! First of all it’s gorgeous, gorgeous, gorgeous. The colors are beautiful and the backdrop is sweeping.

Let the cover kibitz begin:

  • I think the hero looks a bit like Daniel Dae Kim from Lost, don’t you? I do love a nice strong jawline.

daniel

  • Time period: the clothing and hair isn’t Tang Dynasty. They had to take some liberties with that. The Undones are digitally published and so they create the covers from the Harlequin art bank, which leads me to the best part of the cover…
  • The heroine and hero may look very familiar because they also graced the cover of my favorite Harlequin Blaze, THE CONCUBINE by Jade Lee. Perhaps her lovers had met before in a previous life hundreds of years earlier in the Tang Dynasty? They were simply fated to meet again and fall in love eternally…

cover_concubine

Cover models get reused all the time. I’m just tickled pink that Jade’s models reappear on my cover. I’ll always associate them with THE CONCUBINE, which is sitting proudly on my keeper shelf.

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Sad

Filed in: Asian fantasy | blog | promotion | publishing    Tags: | |

JUN

30

2010

8:47 pm

No book excited me more last year than Cindy Pon’s debut, Silver Phoenix. I rushed out and bought the hard cover. I told everyone I knew about it. Plastered it all over my blog. One fan even wrote me after reading the book because she thought Cindy Pon was my pen name since I’d gabbed about the book so much! (I redirected said fan to the right place)

The morning I sold, I literally ran to my computer and typed an excited e-mail to Cindy. I felt like a giddy schoolgirl running through the playground to a friend  who was a grade higher than me. “Cindy, Cindy! I sold!”

Silver Phoenix is lush and gorgeous and the original cover reflected the mood of the book perfectly:

Then I saw the cover of the sequel today:

And I saw how they want to rework Silver Phoenix:

SilverPhoenix2

The covers are dark and urban in appearance. The clothing modern. The faces hidden. To me, they look like so much of what’s out there in YA land. Black covers. Dark brooding mood.

I’m going to be emotional and unedited for a moment: They took away everything that was bold and special about Phoenix. They made it look modern and non-descript and non-Asian. The reasoning is that it will reach new readers this way. By hiding. By HIDING.

I lied about the unedited part. I’m a writer. Everything I post is edited. I thought very carefully about this post, because I do admit, I know next to nothing about the publishing industry. I don’t know about marketing books since I’m so new in this game. And I make it a habit not to rant too much about things I don’t know about.

But I am a reader. A consumer of books. And yes, I am biased. I write historical romances set in the Tang Dynasty. I love wuxia fiction. I started writing what I write because there weren’t many books like Silver Phoenix in the English-speaking market.

So I’m going to speak as a fan. Perhaps sales were low and the publisher had a responsibility to try to change that. I get it. This is a business. But what principle of marketing says that the way to success is to downplay your strengths? Cindy Pon writes fantasy. The selling point of fantasy is the worldbuilding. What principle of marketing dictates that you should NOT differentiate yourself from the crowd? That you should look like every other product on the market? Maybe people will think they’re buying Kellogg’s Corn Flakes, but really they’re picking up the generic store brand instead.

And that brings me to my biggest confusion. What makes the powers that be believe that READERS WANT TO BE FOOLED? That readers will pick up a book expecting one thing, and will actually be happy when it’s not that at all? That’s one of the main complaints I read in reviews. I expected a different book. So what happens when a reader picks up Cindy’s next book expecting a dark urban fantasy and gets a sweeping and epic adventure instead?

Maybe 2009 was just a tough year. Maybe people just stopped buying hardcovers except for huge big name authors with established readerships. Debut authors need to build a readership and it takes more than one book. That’s what everyone keeps telling me right now. The best way to sell more books is to write the next book. Well, Cindy did that. Fury of the Phoenix is coming out in April and Silver Phoenix‘s paperback release is in February.  If the publisher had stuck with the same look and feel, then they’d be building the brand and message. More sales on the second book, renewed interest in the first.

But the way they’ve done it now muddles the message. I don’t know what to think. If I wasn’t constantly checking up on Cindy’s blog, if I had walked by the bookshelves come April, 2011, I would have missed this sequel.

Consistent messaging. Building a brand. Increasing loyal readership. Aren’t these written into a big book somewhere?

I’m going to read Fury of the Phoenix in April. I’m going to tell everyone I know and I’m going to plaster it all over my lonely blog. I’m going to do it with love and not sadness or anger because I’m getting that out now. I’ve wanted to read this book since I finished the final sentence of the last one.

I hope the marketeers are right. I hope this new look nets a bunch of new readers who are happy to discover Cindy’s work. I hope all her current readers know to look for this book in April and buy it. Because I know the general reading public isn’t online and stalking authors the way I do. They’re walking into the bookstore and browsing shelves.

I hope the marketeers are right about this move, but I hope they’re wrong that an Asian cover doesn’t sell books.

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