Happy New Year!

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JAN

23

2012

7:54 am

The Year of the Dragon is upon us. My twins were originally due to be dragons, but they were impatient to see the world so I was blessed with two little kittens–like their mother.

Daniel & Mae Linh have graduated from their isolettes into cribs and are nearly the size of full term babies now. My only plan for New Year’s day is to gift them with their first red envelopes along with their first set of blessings. As my Mum always told me: Grow fast and do well in school.

It’ll be a little while before they start school, but it’s good to set expectations early, right?

***

In our family, it’s tradition that my Mum reads everyone their horoscope on New Year’s. She’s not an expert or anything, she just reads it from the newspaper. Now, not that I put too much stake in astrology, but if you’re going to go by horoscopes, I love that Chinese astrology actually has bad forecasts. It’s not all flowers and candy in this zodiac.

I’m a Cat (Rabbit if you go by Chinese vs. Vietnamese) and my element is water. I think this means I’m supposed to have a good year according to this site. I think I’ll just call up Mum and get my fortune read the “old fashioned” way.

***

On the dragon news front, The Dragon and the Pearl is being released in Spanish. I love how the title sounds: El dragón y la perla.

As they say in the Kahlua commercials, everything sounds more exciting in Spanish. I’ll be walking around all day saying, “ El dragón…”

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How Much Do You Want This?

Filed in: blog | writing    Tags: |

JAN

16

2012

7:37 am

Blogging about the Ruby-Slippered Sisterhood’s Winter Writing Festival and how I’m trying to stay motivated.

For me, it all starts with this question: How Much Do You Want This?

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Calling all unusual historical authors

Filed in: blog | workshop    Tags:

JAN

12

2012

11:17 am

Hello all!

I’ve just volunteered to do an online workshop for the Hearts through History chapter on unusual historicals that I’m thinking of titling “Keeping Historicals Weird” — Don’t sue me Texas!

I wanted to sort of give a survey of the current market for them (highly colored by this author’s experience)  and wanted to get other authors’ experiences with publishing and selling unusual historicals — which typically mean historicals with characters or settings outside of Great Britain or America. It can be expanded to mean historicals in time periods not usually seen such as the 1920s even if it is set in G.B or America.

I’d also like to mention the historical paranormal or historical steampunk market as well, so that information is also welcome. My thesis being that the same “hard sell” stigma doesn’t necessarily apply to those markets and you may have higher demand there.

My focus is historical romance, of course, but straight historical fiction with romantic elements is also welcome. I will mention upmarket historical fiction for discussion as that is sometimes a consideration if you have an unusual historical manuscript.

My main focuses are:

1. Which publishers are buying it/pushing it

2. How are sales

3. What is the readership like

4. How did you promote/build readership

I’m especially interested in small press, epublishing, and self-publishing efforts. You can chime in here or e-mail me through the contact form.

Thanks much!

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Ruby Sisters’ Winter Writing Festival

Filed in: blog | writing    Tags: | |

JAN

11

2012

7:06 am

The Ruby-Slippered Sisterhood Winter Writing Festival starts today and goes for 50 days. During last year’s writing fest, I finished My Fair Concubine, which is going to be a June 2012 release. I’m counting on the festival to save my butt again this year.

Come join for support, camaraderie and, of course, prizes!


 

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Merry Christmas to all!

Filed in: blog | friends and family   

DEC

25

2011

7:24 am

Ha! You knew I’d have to sneak in a couple of newborn pics before the end of the year, right?

Here’s my two little kittens, Daniel and Mae Linh. The nurses in the NICU took these adorable pics for us. They are 10 days old and we’re having our first Christmas together today.

They were born on Thursday December 15 at 2:29 am. Daniel was 3lb 2oz and Mae Linh weighed in at 3lb 3.5oz. Daniel has since surpassed his little sister in weight.

 

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And the winners are…

Filed in: Announcements | blog | giveaway    Tags: |

DEC

23

2011

11:47 am

From 199 entries, random.org selected three winners of the daily prize — a choice of any one of my published stories.

Congratulations to:

1. Marjorie Legault wins a copy of The Taming of Mei Lin

2. Bessamy wins a copy of The Taming of Mei Lin

3. Annie Dani wins a copy of Butterfly Swords

Thank you all for participating and for all the lovely comments. I read them all, but unfortunately do not have time to respond to each individually.

For the winner of the Grand Prize, the drawing will be completed today and posted at the Harlequin Historical Authors Blog.

Best wishes and happy holidays to all.

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Holiday Giveaway

Filed in: blog | contests | giveaway | promotion    Tags: | |

DEC

21

2011

9:00 pm

Happy holidays and welcome to the second to last day of the Harlequin Historical Advent Calendar!

Like my nifty slide show? I made it all by myself after several failed attempts to get some fancier @!@#$ widgets working. It’s part of my Holiday Giveaway which is easier than pie to enter.

Note: Some of the titles are shorter length novellas (but still full of romance and drama, I assure you). The description of each title includes the length and available versions. For excerpts and more information, see the Books section.

Instructions

Today’s prize: I’ll be randomly selecting three visitors to receive their choice of any one of my Tang Dynasty romances. The drawing will be open until 9am CST Friday, December 23rd. To be entered, simply watch the slideshow and comment with which title you’d like to receive and which version if both print and digital are available. Include a valid e-mail address in the comment form so I can contact you if you’ve won. One entry allowed per person. (Digital versions will be gifted through Kindle or Barnes & Noble. If a digital version is not available for the region, a print copy of the same title or another title may be substituted.)

Example of a valid entry: I’d love to read The Dragon and the Pearl! Digital copy please.

Grand prize: All valid entries for the daily prize will also automatically be entered for the Grand Prize. On Friday, December 23rd, the Harlequin Historical authors will randomly select a day from the advent calendar. Then another random number will be chosen to select the grand prize winner of a Kindle Fire or equivalent Kindle product if the winner lives in a region where the Kindle Fire is not available.

Invalid entries without a good e-mail address or without a selected title will be disqualified from both the daily drawing as well as the Grand Prize drawing.

***

Intrigued by my exotic settings and killer graphics skills? Sign-up for my newsletter for updates on upcoming releases and other special events. You can also follow me on Twitter or add my RSS feed. I like to chit-chat about interesting historical research, reflect upon writerly things, and occasionally rave about great books I’ve read. Oh yes, I’ve also just given birth to twins exactly one week ago so there may be the occasional mention about them.

(None of these things are required to enter the contest. In fact, I’d prefer you don’t follow or subscribe unless you want to occasionally hear from me. So as I used to say as a teacher, there’s no extra credit!)

Comment and enjoy the rest of your day!

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Romantic short stories: Say Something

Filed in: blog | craft    Tags: | | | |

DEC

12

2011

2:49 pm

Do you want to know how much I love short stories? There are short stories they used to have in those grade school readers that I still remember to this day. I used to be thoroughly engaged by those snippets they’d have in the standardized reading comprehension tests in school.

I know it’s not for some, but that’s purely individual taste. Some people don’t want to start getting into something just to have it end. I love the beauty of having something so complete and concentrated in a small package like that.

I’ve been asked to blog from time to time about tips on writing short stories, such as for this year’s Harlequin Mills and Boon’s New Voices Contest: Less is More — Making Every Word Count and I wrote a similar, but more detailed post upon the release of my first short, The Taming of Mei Lin: Ruby Slippered-Sisterhood: Writing Short and Not-So-Sweet

But I’ve come to realize that though there’s some good general advice there about keeping things tight, I really completely missed the mark. The closest I came to the right answer was to say the game is already won or lost in the plotting. Because making the scenes critical and layered or “neuron rich”, as I like to think of it, is good craft-wise, but it’s not really what makes a good short. A good short aims to SAY SOMETHING.

Say something bold. Add to the conversation. Do something no other short has done. Make the reader feel and think. Strive.

A memorable romantic short needs to hinge itself upon THEME more strongly than a novel. More not less. And the theme of “Love conquers all” or “Love is found in unexpected places” is but a mere a hand wave to the genre and nothing else. I like how author Sela Carsen said it in a workshop about writing short: A novel is a necklace with a string of diamonds connected. A short needs to revolve itself around one perfect center stone. And yes, on top of all that — the hero and the heroine still need to overcome and fall in love.

And I think that’s what I see missing from a lot of short stories in romance. External plot, but no theme. I think it’s a fallacy to think you can’t tell a rich, complex and engaging story in a short. That you have to get rid of detail and theme because it’s got to be all romantic storyline. In the end, this robs you of the romantic potential instead of enhancing it. In fact, theme may be equal or more important than…*gah* do I dare say?…character when constructing a short story. Or at least the characters should serve the theme.

I used to write short stories all the time as a kiddo in those little notebooks that no one got to read except for maybe Little Sis. Most of those shorts were sci-fi or speculative fiction. Some fantasy. A few whimsical slice of life sort of things. I had to learn how to craft a novel in terms of pacing and development because I was used to short little glimpses, abrupt scenes, etc.

See, it’s another game in the speculative fiction arena. You’re trying to be a little unexpected and twisty. It’s okay to establish a new world, but leave a bunch of open questions at the end, a la Twilight Zone. You can end on a punchline or a revelation.

In romance, we expect readers want a satisfying coming together of hero and heroine. They should overcome some obstacle and reach a reasonable Happily Ever After or Happy For Now conclusion. For that reason, a lot of romantic shorts I read feel like slaves to that HEA and nothing else. They’re pleasant, cute, warm, even sexy. The worse of them fall horribly flat, but even the best of them put forward a satisfying, but altogether forgettable tale. They don’t SAY ANYTHING new.

To make matters more sticky, there’s now a trend of using short stories to introduce longer series. The short serves as a gateway into the worldbuilding or the characters of this series. And that’s fine. Often these shorts are free so there’s no reason to complain, but these stories seem to give up their own potential and power even more. Again, they can be well-written, sexy, even a little interesting, as they’re meant to be, but as a reader of shorts, I’m still disappointed.

Now romantic novellas, you get some room to play so those tend to be able to follow a condensed romance novel structure and still be successful. When I’m looking specifically at shorts, it’s rare to see something sparkly emerge in less than 20, 000 words. Something that shows a true unique point-of-view as they say in Project Runway speak. :)

That’s why I’m so impressed with Stephanie Draven’s steamy stories in the Nocturne Bites line. (Wild, Tethered, BoundMidnight MedusaSiren Song) Her theme is that war makes men into monsters–literally. The stories make bold statements about war and about healing, and they enhance the themes with symbols from Greek mythology, modernized in a creative way. They all have steamy hero meets heroine love stories in them as well.

I loved Caitie Quinn’s sweet romantic short, “It’s In His Kiss”, because it may seem like a cute, sassy girl’s night out on the surface, but it slips effortlessly into exposing those “friends” who aren’t really your friends. It explores those nights on the town where you’re supposed to be having fun, but you feel just awkward and inept instead because you’re not having fun.

Diane Gaston’s The Unlacing of Miss Leigh, explores the theme of loneliness and the alienating nature of physical imperfection. She admits to being inspired by the Phantom of the Opera, but the tale is by no means a retelling of Phantom. On the surface, it’s two people in a classic romance set-up, but the emotions go much deeper.

Right now I’m writing a short story about a journey to the land of Khitan (later the Liao Empire), a now extinct power located to the north of Tang Dynasty China, which evolved from the Han Dynasty until the 13th century, about at the time of the rise of Genghis Khan’s empire. It’s both a coming home story and a going away story. A story about “civilized” life vs. the frontier. It’s a love story too.

I’ve read over 500 pages of historical research. I’ve polled people about horsemanship. Studied pictures and artifacts. There are descriptions of food, customs, clothing and nomadic life. There are action scenes and love scenes and hints of the little known political structure of pre-dynastic Khitan that I worry about people calling me on when I know that most likely no one will.

In the end, it has to fit into 15,000 words or less because I’m writing it for the Harlequin Historical Undone line. But I’m not really worried about writing tight and making scenes count so it’ll fit the shorter length. I’m more concerned about the story saying something.

This is why I say I got it all wrong when advising people how to write short. There seems to be a tone of “do less” in those blogs I wrote, when what I really should have said is DO MORE.

*One of my favorite short stories isn’t quite a romance in the romance genre sense of the word because it has a maudlin tone and ending without the traditional HEA. It’s by Ray Bradbury and it’s titled “The Laurel and Hardy Love Affair.” It’s about memories and love that was perfect in a moment, even if that moment is gone. I can visualize each scene in the story perfectly. I can’t read it without tearing up.

I recently checked out the word count to see how many words Bradbury needed to jerk my heart strings like that. Did he write it in under 15, 000 words?

The actual word count was under 1500 words.

I am but an egg.

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News from the Bedside

Filed in: blog | book reviews | slice of life | writing    Tags: | | | | |

DEC

3

2011

10:54 am

Rather than news from the Desk of Jeannie Lin.

As my Recent Update states, I’ve been on “hiatus” — more specifically bedrest as I incubate my little twins. I sincerely don’t want the blog to turn into a personal journal of my everyday ramblings or a baby blog, which is why I chose instead to remain a bit quiet rather than feel the need to chime in via blog, Twitter or Facebook. My newsletter has also been quiet since October. Typing is rather hard while laying down, but I finally found a comfortable position where I can use my computer now that I’m in the hospital, so I thought it was time for a little update post.

Hospitalization always sounds scary to me, so I didn’t want to alarm anyone. My little zygotes are doing well at 28 weeks and I’m getting good care as I try to incubate them a little longer. First pregnancies are scary things under normal circumstances and mine has been a bit of a roller coaster.

So let’s get on with a few Jeannie Lin authorial things…

***

Thank You

Thank you so much for all the little notes and messages from readers either about the books or wishing me well. I really do read each one, but have been a little slower in responding due to bedrest and hospital visits. Each note gives me a much needed boost and I promise to eventually reply to everyone.

Also thank you to everyone for reading and reviewing or mentioning The Dragon and the Pearl and The Lady’s Scandalous Night. I really had to cut all promotion efforts short for this book and was a bit sad that I was only able to do one booksigning and a few blogs.

***

From the writing front:

My doctor was concerned because one of the biggest problems with bedrest is boredom and feeling unproductive. Everyone seemed a bit worried about my mental state having to go on such long-term bedrest. I revealed that though I had to go on leave for my day job, I did have a couple books on contract that I needed to finish. My doc was thrilled to hear that. She’s a fan of medical thrillers (surprise!), a big reader and had always been curious about what I was reading whenever I came to the office.

And it’s true…I do have a couple of titles contracts, novels and short stories, that I’ve been working on from bed. I wasn’t worried about boredom. I’ve always liked summer breaks as a kid. I was always able to find things to do — write in my journal, make up games, draw, and of course, write stories.

It is rough though. My brain hasn’t been as active without other tasks to keep me moving. I don’t want to blame “baby brain” either, but I do think about the little zygotes a lot. I can spend hours with my hand to my baby belly just feeling them squirm. I tell them to stay with me a little longer and try to become dragons (The Year of the Dragon starts Jan. 23, 2012).

Mostly, I try to brainstorm. My ideas don’t come flying at me as they do with many other authors (jealous!). I need to spend a lot of time developing them. I replay what I now call “the movie versions” in my head and do a bunch of what ifs and director’s cuts. A LOT gets thrown out, because I can see the storyline isn’t compelling or viable. I incubated my third novel for a good nine months before I really sat down to outline and write it in three months.

Tee hee…so try as I might, it takes nine months to make a baby.

What I’ve found is that now there are certain expectations about what to write next to “build readership”. I don’t mind. My editor and publisher have been lovely about giving me freedom in my stories, but there are still schedules and expectations for what comes next and it’s not always the most compelling story in my head that they want next.

I find myself course correcting a lot, which is not something I used to do. I’d start one project only to find I needed to redirect to another one. My latest dilemma was trying to write a short story linked to my next release, My Fair Concubine. I discarded so many scenarios trying to find a linked tale that would fit in a short story format. Because I started out as a short story writer, I take a lot of pride in my Undones and want them to be complete works of some merit. In this regard, sometimes I angst over them as much as I would a novel…maybe more.

But I’m putting words down now. I’m writing like I used to write on those long summer breaks in my notebook. Scene by scene. Raw. Just to keep writing.

***

Publishing news!

I have the title for my next novel release which is MY FAIR CONCUBINE. I believe it’s slated for some time next summer–June or July. By then, the US and UK releases should be synchronized. I’ll keep everyone posted. I’ve been very lucky to be able to retain all my working novel titles: Butterfly Swords, The Dragon and the Pearl, and now My Fair Concubine.

As the title suggests, it’s a nod to My Fair Lady in Tang Dynasty China. It’s lighter in tone and a departure from the usual political intrigue and angst of my first two books, but I hope readers will enjoy.

The title for my next Undone short release is CAPTURING A SILKEN THIEF. This story is what I consider the most “Tang Dynasty” of all my stories, depicting a classic match-up between an imperial scholar and a song girl. (Yes, in the Tang Dynasty, the heroes were scholars. If you ever wonder about how deeply the emphasis on education goes in Asian culture, this is a big clue)  I drew a lot from my time as a student at UCLA when writing the story (funny where inspiration comes from), at the same time it’s a glimpse into the culture of the entertainment district of Changan, at least as I imagined it. No official release date yet, but I’m really looking forward to sharing this one.

***

Awesome Bedrest Reads

So what have I spent most of my time doing?

Reading. Reading and reading and reading.

I bought an iPad when I knew I was going on long-term bedrest and it’s been wonderful. All of my Kindle books transferred over and I’ve been able to read a book a day for nearly a month, making a huge dent in my TBR pile. I’m a little sad because there are still a bunch of paper books stashed downstairs in my basement that I want to read too, but dear hubby has been so busy attending to me as well as getting ready for the babies all by himself that I didn’t want to bug him — “Honey, down in my office, there’s a pile of books on the coffee table. Can you rummage through them and bring me The Shadow and the Star?”

He’s already complained about how many books I have lying around as he needs to convert my office into a guest bedroom.

Blame the hormones or the freedom (due to bedrest) to immerse myself in books without any distractions, but I’ve been blown away by so many great stories. I’m a bad objective reviewer of books, because I really give over a lot of trust to the author when I read. I want to be swept away. I want to believe.

So here’s my hit list of awesome bedrest reads:

The Winter Sea by Susanna Kearsley

I’ve had this on my TBR forever. Everyone was raving about it and then I met Susanna at RT in Los Angeles. We became convention buddies as we kept running into each other. I was so impressed by the dual storylines, past and present, and how they were woven together in this book. Each one enhanced the other and I just devoured the pages. I felt this book was as good, if not better, than The Time Traveller’s Wife. The historical detail was incredible and the story craft was the sort that filled me with writer envy. This book and the ending resonated with me a long time after I finished it.

 

Heart of Steel by Meljean Brook

One of the books I was hovering over to buy on release day. Great adventurous follow-up to The Iron Duke which also blew me away. This is probably the best steampunk worldbuilding I’ve encountered, though I’m a relatively new fan of the genre. I just love traveling in the world that Meljean has created and how she mixes in historical tidbits (they’re chasing after Leonardo Da Vinci’s sketches in this one), steampunk technology, and settings all over the globe. So much fun. I would love to see movies made of these books!

 

Unclaimed by Courtney Milan

I hate it when I read a review of one of my books that starts with “I had misgivings about reading this…” It always makes me sick to my stomach and then even if they ended up liking it “more than they thought they would”, it’s like having someone meet me and say, “Wow, you’re a lot nicer than I thought you’d be.”

So…um…I had some reservations about the hero Mark through the initial chapters. I love Courtney’s writing and also the psychological nature of her conflicts. In Unveiled, I wasn’t swept away because the hero was so superior to the heroine. Kind of smugly so. Power and emotional differentials are important to me when reading romance, and though Courtney’s heroines are also super-strong, her heroes as of late can be too noble, too self-assured, too perfect. It’s kind of the opposite vibe I get from Sherry Thomas whose characters are so broken and fascinating.

Ha, that’s another problem when I’ve read an author’s entire backlist. Baggage from other books. In any case, I was swept away by the courtship in Unclaimed. I loved how Mark was seeking true love and his idea of it was so very different from what everyone else assumed about him. I cried and cried when his heart was broken. (Oh, also I usually love Courtney’s books for the heroines, but Unveiled and Unclaimed definitely were more hero-centric.)

I said I was a bad objective reviewer, but that doesn’t mean I don’t analyze my reading experience to death.

The Song of the Nile by Stephanie Dray

I’ve been following this series from the first book, Lily of the Nile, and this follow-up took some bold moves. The magical realism or historical fantasy or whatever you call it in this series just pulls me in. I’ve said it before, but I do feel like I’m reading one of Marion Zimmer Bradley’s epic historical fantasies whenever I read a Stephanie Dray book. These books take me back to that time in my life when I hung around the library and books spoke so loudly to me. (Ah, the teenage years) Dray’s Cleopatra Selene is epic, unconventional, larger than life, yet very human in depiction. It’s the type of book that makes me want to Google for hours afterwards, reading up on Augustus Caesar and Selene and the lives of everyone mentioned in the book. I can’t wait for the third book and then I want to sit down and re-read the entire series.

Similar to how I felt with Susanna Kearsley’s book, Song of the Nile makes me believe, as fantastic as it seems, that this was how it happened.

Passing Under Heaven by Justin Hill

I came across this book while researching the life of Yu Xuanji: courtesan, poetess, and a bit of a rebel of the Tang Dynasty. I had come across one of her poems where she laments that her silken robes (being a woman) obscure the lines of her poetry (keeps her from being recognized for her talent). There’s another poem where she mentions being jealous of the list of imperial scholars. Something about her voice, coming from over a thousand years in the past, has always spoken to me.

Passing Under Heaven is a retelling of her whirlwind, restless, and ultimately tragic life. I don’t like Chinese tragedy for the sake of melodrama, but this book was more than just a lament about the trials of being a woman in imperial China. Yu Xuanji’s life provides a rare glimpse into so many aspects of Tang Dynasty culture since she was a concubine, a  Taoist nun, and a courtesan. Plus I loved seeing the depiction of Tang Dynasty culture, the North Hamlet, the justice system, the imperial exam system…I have so few reference works to go to that this was just a special, special find for me.  I would love to have a conversation with the author about Tang culture.

My doc says she likes to check out what her patients read because it says something about them. I guess you can see my hot buttons: stories about remarkable woman, throughout time, across cultures–real or imagined.

9 Comments

Harlequin Historical Holiday Giveaway

Filed in: blog | giveaway    Tags: | |

NOV

20

2011

5:55 pm

Win a Kindle Fire! The Harlequin Historical Authors Holiday Giveaway is back. In the spirit of an Advent calendar, the authors are giving away daily prizes and a Grand Prize of a Kindle Fire. Play every day for more chances to win.

The Rules:

Each participating author will have an activity planned on their website for their special day. You may be asked to comment on a blog, find an ornament, or visit a Facebook page. For each day you participate, your name will be entered into the Grand Prize drawing. At the end of the month on December 23, one day from the calendar will be randomly selected. One of the entrants from that day will then be randomly selected to win the Kindle. The more days you visit, the better your chances!

I’ll be jumping in at the end on Dec. 22 with a special holiday giveaway.

For international readers: THE PROMOTION IS OPEN TO U.S., UNITED KINGDOM, IRELAND, CANADA, AUSTRALIA, NEW ZEALAND, AND EUROPEAN COUNTRIES WHERE A KINDLE MAY BE SHIPPED.

Official rules and eligibility

Participating Authors

November 29 – Michelle Willingham

November 30 – Elizabeth Rolls

December 1 – Charlene Sands

December 2 – Diane Gaston

December 3 – Annie Burrows

December 5 – Elaine Golden

December 6 – Barbara Monajem

December 7 – Michelle Styles

December 8 – Deborah Hale

December 9 – Marguerite Kaye

December 10 – Lynna Banning

December 12 – Carol Townend

December 13 – Blythe Gifford

December 14 – Julia Justiss

December 15 – Terri Brisbin

December 16 – Ann Lethbridge

December 17 – Bronwyn Scott

December 19 – Sarah Mallory

December 20 – Kate Bridges

December 21 – Amanda McCabe

December 22 – Jeannie Lin

December 23 – Grand Prize Drawing

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